STEVE EARLE - LIMITED EDITION COLOR PRESSINGS
LIMITED EDITION COLOR PRESSINGS
|Washington Square Serenade [Limited Edition Metallic Gold LP]||Steve Earle||NEW WEST RECORDS||Vinyl||2021-11-26||$28.98|
|I'll Never Get Out Of This World Alive [Limited Edition Cherry Red LP]||Steve Earle||NEW WEST RECORDS||Vinyl||2021-11-26||$28.98|
|The Low Highway [Limited Edition Butter Cream LP]||Steve Earle & The Dukes (& Duchesses)||NEW WEST RECORDS||Vinyl||2021-11-05||$28.98|
|Terraplane [Limited Edition Transparent Gold LP]||Steve Earle||NEW WEST RECORDS||Vinyl||2021-11-05||$28.98|
|Townes: The Basics [Limited Edition Gold LP]||Steve Earle||NEW WEST RECORDS||Vinyl||2021-11-05||$28.98|
|Guy [Limited Edition Red and Orange Swirl 2LP]||Steve Earle & The Dukes||NEW WEST RECORDS||Vinyl||2021-11-19||$31.98|
|Ghosts Of West Virginia [Limited Edition Black & Blue Swirl LP]||Steve Earle & The Dukes||NEW WEST RECORDS||Vinyl||2021-11-05||$28.98|
This is a limited edition Metallic Gold vinyl pressing. This is the first time this record has been pressed on color vinyl.
This is a first time color vinyl pressing of the anticipated follow up to the Grammy® Award-winning 2009 release Townes titled, I'll Never Get Out Of This World Alive . This 11-track set was produced by T-Bone Burnett and was Earle's first collection of original material since his 2007 Grammy® Award-winning album, Washington Square Serenade. The album includes the celebrated song" This City," written for the HBO Original Series, TREMÉ, which Earle also appeared in as an actor. "This City" features horn arrangements by Allen Toussaint and has garnered a Grammy® Award Nomination in the Best Song Written for Motion Picture, Television or Other Visual Media Category. Other highlights include the ballad "Every Part of Me" and the ode to those who make their living on The Gulf Of Mexico.
The Low Highway was the follow-up to 2011's Grammy Award-nominated album I'll Never Get Out Of This World Alive and was the first billed as "Steve Earle & The Dukes (& Duchesses)." The album is also the first to feature "The Dukes" band name since 1987's Exit 0. This is the first color pressing for this record.
Terraplane takes its title from the 1930s Hudson Motor Car Company of Detroit model, which also inspired the Robert Johnson song, "Terraplane Blues." It is Earle's 16th studio album since the release of his highly influential 1986 debut Guitar Town. As its title suggests, the album is very much a blues record, some of which was written while Earle toured Europe alone for five weeks with just a guitar, a mandolin and a backpack. Earle, who was raised outside of San Antonio before migrating to Houston, offers about Texas blues, "There was Fort Worth where the model was Freddy King and there was the Houston scene which was dominated by Lightnin' Hopkins. Two very different styles." He saw both of these giants and was also exposed to Johnny Winter, Jimmy and Stevie Ray Vaughn and Billy Gibbons - all of which make their influence heard here within Earle's masterful storytelling. This is the first time this record has been pressed on color vinyl.
In 2009 Steve Earle released an album of Townes Van Zandt songs. It began as solo guitar and vocal tracks recorded in October 2008 in New York City. Other instruments were added later in subsequent sessions for the album in New York, Nashville and Los Angeles. Those original recordings - The Basics - are available on color vinyl for the first time.
Steve Earle was nineteen and had just hitchhiked from San Antonio to Nashville in 1974. Back then if you wanted to be where the best songwriters were you had to be in there. Guy Clark had moved to Nashville and if you were from Texas, Guy Clark was king. Flash forward more than forty years. In the fall of 2018, Steve and The Dukes went into House Of Blues studio in Nashville and recorded GUY in six days. 'I wanted it to sound live...When you've got a catalog like Guy's and you're only doing sixteen tracks, you know each one is going to be strong.'
Earle and his current, perhaps best-ever Dukes lineup, take on these songs with a spirit of reverent glee and invention. But in the end Guy leads the listener back to its beginning, namely Guy Clark, which is what any good 'tribute' should do. Guy is a saga of friendship, its ups and downs, what endures. We are lucky that Earle remembers and honors these things, because like old friends, Guy is a diamond.
Ghosts of West Virginia centers on the Upper Big Branch coal mine explosion that killed twenty-nine men in that state in 2010, making it one of the worst mining disasters in American history. When asked about what drove him to craft his deeply evocative new album, Steve Earle says, 'I thought that, given the way things are now, it was maybe my responsibility to make a record that spoke to and for people who didn't vote the way that I did,' he says. 'One of the dangers that we're in is if people like me keep thinking that everybody who voted for Trump is a racist or an asshole, then we're fucked, because it's simply not true. So this is one move toward something that might take a generation to change. I wanted to do something where that dialogue could begin.' In ten deftly drawn, roughly eloquent, powerfully conveyed sonic portraits, Earle and his long-time band the Dukes explore the historical role of coal in rural communities. More than merely a question of jobs and income, mining has provided a sense of unity and meaning, patriotic pride and purpose 'I said I wanted to speak to people that didn't necessarily vote the way that I did,' he says, 'but that doesn't mean we don't have anything in common. We need to learn how to communicate with each other. My involvement in this project is my little contribution to that effort. And the way to do that ' and to do it impeccably ' is simply to honor those guys who died at Upper Big Branch.'